8 March 2013, Scenes – Scene Setting, Who, Exercises
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel, and on this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel–start with https://ldalford.wordpress.com/2010/12/12/daemon-installment-1-the-incantation/.
I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I’ll keep you informed along the way. At this moment, I’m showing you the creative process I used to put together the novel.
Here are my four rules of writing:
1. Don’t confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don’t show (or tell) everything.
A scene outline is a means of writing a novel where each scene follows the other with a scene input from the previous scene and a scene output that leads to the next scene. The scenes don’t necessarily have to follow directly in time and place, however they generally follow the storyline of the protagonist.
A storyline outline is a means of writing a novel where the author develops a scene outline for more than one character and bases the plot on one or more of these storyline scenes. This allows the scenes to focus on more than the protagonist. This is a very difficult means of writing. There is a strong chance of confusing your readers.
Whether you write with a scene outline or a storyline outline, you must properly develop your scenes. All novels are developed from scenes and each scene has a design similar to a novel. Every successful novel has the following basic parts:
1. The beginning
2. The rising action
3. The Climax
4. The falling action
5. The dénouement
Every scene has these parts:
1. The setting (where, what, who, when, how)
2. The connection (input)
3. The tension development
4. The release
5. The output
There are lots of approaches to scene setting. That means there are about a million plus ways you can set a scene. The main point is you have to clearly get across the where, when, who, what, and how.
I’ve showed you many ways to introduce and describe characters. I’ve given you
some examples of how I use introductions and description to set the “who” that
is to set the characters in the scene. We have barely touched this subject. There is so much more to write about and to see.
At this point, I’d recommend you try to write some of your own examples of character setting. The simplest is to introduce and describe a single major character. This is the most common beginning scene setting. As an exercise, why don’t you try this type of setting and description. Remember to use 100 to 300 words. You will likely want to use 300 words for a major character. You can place the character in a setting if you wish. I’d advise you to do that.
The second exercise is to set and set and describe a secondary character(s).
Try these exercises, and I’ll give you some direct examples tomorrow.
My Notes: once you have a theme, you need to begin to visualize your plot, focus your theme, and define your characters. More tomorrow.
I’ll move on to basic writing exercises and creativity in the near future.
A note from one of my readers: Speaking of which, I am awaiting for you to write a detailed installment on identifying, and targeting your audience, or audiences…ie, multi-layered story, for various audiences…like CS Lewis did. Just a thought.
I’ll repeat my published novel websites so you can see more examples: http://www.ldalford.com/, and the individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovel.com/, http://www.thesecondmission.com/, http://www.theendofhonor.com/, http://www.thefoxshonor.com/, and http://www.aseasonofhonor.com/.