Writing Ideas – Writing Science Fiction, part 127 Extrapolating Military Technology, more Military Surplus

28 February 2014, Writing Ideas – Writing Science Fiction, part 127 Extrapolating Military Technology, more Military Surplus

Announcement: There is action on my new novels.  The publisher renamed the series–they are still working on the name.  I provided suggestions as did one of my prepub readers. Now the individual books will be given single names: Leora, Leila, Russia, Lumiere’, China, Sveta, and Klava–at least these are some of the suggestions.  They are also working on a single theme for the covers.  I’ll keep you updated.

Introduction:  I wrote the novel Aksinya: Enchantment and the Daemon.  This was my 21st novel, and on this blog, I gave you the entire novel in installments that included commentary on the writing.  In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes.  You can look back through this blog and read the entire novel–start with https://ldalford.wordpress.com/2010/12/12/daemon-installment-1-the-incantation/.

I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published.  I’ll keep you informed along the way.  At this moment, I’m showing you the creative process I used to put together the novel.

Today’s Blog:  To see the steps in the publication process, go to my writing website http://www.ldalford.com/ and select “production schedule,” you will be sent to http://www.sisteroflight.com/.

Here are my four rules (plus one) of writing:

1. Don’t confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don’t show (or tell) everything.
5. Immerse yourself in the world of your  writing.

I am writing about the extrapolation of science and technology to be able to write science fiction.  I made the point that it is almost meaningless to try to fully extrapolate a universe (world) that is 10,000 years in the future (and maybe 1,000 years in the future) without applying some cultural and technological shaping.

By shaping the cultures of your science fiction universe, you can shape the science and technology that is extrapolated.  Here is how I culturally shaped the universe of The Chronicles of the Dragon and the Fox to make the 10,000 year extrapolation work.

The major areas in warfare technology are:
1.  Software
2.  Weapons
3.  Countermeasures
4.  Defense
5.  Communications
6.  Robots
7.  Vehicles
8.  Environments (personal equipment)

 

If you noted, technology transfer goes from the wealthy to the middle class, then to the poor.  You need the wealthy to initially purchase technology.  Without the wealthy, technology won’t get to the marketplace, and will never be inexpensive enough for the middle class.  Eventually, the technology of the middle class gets to the very poor.

Now, what about military technology and government technology in general?  Just as normal technology must have a means to marketability, military and government developed technology must have a means to marketability.  That normal means is through surplus.  Now, military and government surplus doesn’t usually have long marketability, but it makes possible certain transitions.  For example, following World War II, the influx of transport and bomber aircraft produced an entire industry over night.  That industry was air transportation.  The bombers and transports were not as efficient or effective as civil models, but they allowed training, development and led the path to a complete commercial industry.

There are countless other examples.  Another simple one is the M-1.  This Carbine was the most successful allied weapon of World War II.  Its design led to many other weapons, and it armed hunters and provided self-protection for thousands.

What happens if military and government technology doesn’t get passed into the civilian population?

More tomorrow.

Also remember, I’m trying to show you and give you examples of how to write a science fiction theme statement and turn it into a plot.

A note from one of my readers:  Speaking of which, I am awaiting for you to write a detailed installment on identifying, and targeting your audience, or audiences…ie, multi-layered story, for various audiences…like CS Lewis did. Just a thought.

I’ll repeat my published novel websites so you can see more examples: http://www.ldalford.com/, and the individual novel websites: http://www.aegyptnovel.com/, http://www.centurionnovel.com/, http://www.thesecondmission.com/, http://www.theendofhonor.com/, http://www.thefoxshonor.com/, and http://www.aseasonofhonor.com/.

Aksinya Cover Proposal
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About L.D. Alford

L. D. Alford is a novelist whose writing explores with originality those cultures and societies we think we already know. His writing distinctively develops the connections between present events and history—he combines them with threads of reality that bring the past alive. L. D. Alford is familiar with technology and cultures—he is widely traveled and earned a B.S. in Chemistry from Pacific Lutheran University, an M.S. in Mechanical Engineering from Boston University, a Ph.D. in Aerospace Engineering from The University of Dayton, and is a graduate of Air War College, Air Command and Staff College, and the USAF Test Pilot School. L. D. Alford is an author who combines intimate scientific and cultural knowledge into fiction worlds that breathe reality. He is the author of three historical fiction novels: Centurion, Aegypt, and The Second Mission, and three science fiction novels: The End of Honor, The Fox’s Honor, and A Season of Honor.
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