18 April 2016, Writing Ideas – New Novel, part 653, Style Q and A
Announcement: Ancient Light is delayed due to the economy. You can read more about it at http://www.ancientlight.com. Ancient Light includes the second edition of Aegypt plus Sister of Light and Sister of Darkness. I’ll keep you updated.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I’ll keep you informed along the way.
The four plus one basic rules I employ when writing:
1. Don’t confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don’t show (or tell) everything.
5. Immerse yourself in the world of your writing.
All novels have five discrete parts:
1. The initial scene (the beginning)
2. The rising action
3. The climax
4. The falling action
5. The dénouement
The theme statement of my 26th novel, working title, Shape, is this: Mrs. Lyons captures a shape-shifting girl in her pantry and rehabilitates her.
Here is the cover proposal for Escape from Freedom. Escape is my 25th novel.
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I’m editing many of my novels using comments from my primary reader. I’m on Children of Light and Darkness at the moment.
I’m an advocate of using the/a scene input/output method to drive the rising action–in fact, to write any novel.
- Scene input (easy)
- Scene output (a little harder)
- Scene setting (basic stuff)
- Creativity (creative elements of the scene)
- Tension (development of creative elements to build excitement)
- Release (climax of creative elements)
I can immediately discern three ways to invoke creativity:
- Historical extrapolation
- Technological extrapolation
- Intellectual extrapolation
Creativity is like an extrapolation of what has been. It is a reflection of something new created with ties to the history, science, and logic (the intellect). Creativity requires consuming, thinking, and producing.
One of my blog readers posed these questions. I’ll use the next few weeks to answer them.
- Conflict/tension between characters
- Character presentation (appearance, speech, behavior, gestures, actions)
- Change, complexity of relationship, and relation to issues/theme
- Evolving vs static character
- Language and style
- Verbal, gesture, action
- Words employed
- Sentence length
- Type of grammar
- Field of reference or allusion
- Tone – how tone is created through diction, rhythm, sentence construction, sound effects, images created by similes, syntax/re-arrangement of words in sentence, the inflections of the silent or spoken voice, etc.
- Mannerism suggested by speech
- Distinct manner of writing or speaking you employ, and why (like Pinter’s style includes gaps, silences, non-sequitors, and fragments while Chekhov’s includes ‘apparent’ inconclusiveness).
Moving on to 15. 15. Style
Woah—style is huge. I just spent more than six months defining style from almost every angle I could imagine. Here are the elements I found for an author’s style.
- Novel based style
a. Writing focus
c. Scene development
d. Word use
g. Use of figures of speech
i. Character revelation
k. Real world ties
m. Character interaction
2. Scene based style
c. Tension and release development
e. Theme development
When I write about an author’s style, I’m writing about the qualities that make that writer’s writing different from every other writer’s writing. It isn’t just a question of journalistic vs. fiction or technical writing style. It isn’t just about word choice or use. Style is the brush strokes, color, mixture, canvas, subject, lighting, and material of the painter in writing.
I provided the list about to give at least an outline of the things that makeup and affect style. I also broke them into two large areas, novel and scene based. Perhaps that is where to start.
I’m an advocate of using scenes as a tool for writing novels. You really can’t write without writing scenes, but my approach is to focus on the scenes for writing. In this sense, the author has two significantly different and separate areas for style. The first is the scene and the second is the novel. The novel is more generic than the scene style. The best way to approach this is from large to small—from the broad novel to the direct scene.
All writers display those characteristics I would call broad and novel and those more specific and scene based. The difference is that the novel style is part of the overall approach of the writer to writing and the scene is the details of the writing. I’ll move to writing focus next.
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic