Writing Ideas – New Novel, part x18, Developed Creative Elements in the Rising Action

19 April 2017, Writing Ideas – New Novel, part x18, Developed Creative Elements in the Rising Action

Announcement:  Ancient Light is delayed due to the economy.  You can read more about it at http://www.ancientlight.com.  Ancient Light includes the second edition of Aegypt plus Sister of Light and Sister of Darkness.  I’ll keep you updated.

Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning with http://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.

I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I’ll keep you informed along the way.

Today’s Blog: To see the steps in the publication process, visit my writing website http://www.ldalford.com/ and select “production schedule,” you will be sent to http://www.sisteroflight.com/.

The four plus one basic rules I employ when writing:

1. Don’t confuse your readers.
2. Entertain your readers.
3. Ground your readers in the writing.
4. Don’t show (or tell) everything.
5. Immerse yourself in the world of your writing.

All novels have five discrete parts:
1.  The initial scene (the beginning)
2.  The rising action
3.  The climax
4.  The falling action
5.  The dénouement

I finished writing my 27th novel, working title, Claire, potential title Sorcha: Enchantment and the Curse. This might need some tweaking. The theme statement is: Claire (Sorcha) Davis accepts Shiggy, a dangerous screw-up, into her Stela branch of the organization and rehabilitates her.

Here is the cover proposal for Sorcha: Enchantment and the Curse.

Cover Proposal

 

The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I started writing my 28th novel, working title Red Sonja.  I’m also working on my 29th novel, working title School.

I’m an advocate of using the/a scene input/output method to drive the rising action–in fact, to write any novel. 

Scene development:

1.  Scene input (easy)

 

2.  Scene output (a little harder)

 

3.  Scene setting (basic stuff)

 

4.  Creativity (creative elements of the scene: transition from input to output focused on the telic flaw resolution)

 

5.  Tension (development of creative elements to build excitement)

 

6.  Release (climax of creative elements)

 

How to begin a novel.  Number one thought, we need an entertaining idea.  I usually encapsulate such an idea with a theme statement.  Since I’m writing a new novel, we need a new theme statement.  Here is an initial cut. 
For novel 28:  Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.
For novel 29:  Sorcha, the abandoned child of an Unseelie and a human, secretly attends Wycombe Abbey girls’ school where she meets the problem child Deirdre and is redeemed.

 

These are the steps I use to write a novel: 

 

1.      Design the initial scene

 

2.      Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)

 

a.       Research as required

 

b.      Develop the initial setting

 

c.       Develop the characters

 

d.      Identify the telic flaw (internal and external)

 

3.      Write the initial scene (identify the output: implied setting, implied characters, implied action movement)

 

4.      Write the next scene(s) to the climax (rising action)

 

5.      Write the climax scene

 

6.      Write the falling action scene(s)

 

7.      Write the dénouement scene
 

 

Here is the beginning of the method from the outline:
 

 

1.      Scene input (comes from the previous scene output or is an initial scene)

 

2.      Write the scene setting (place, time, stuff, and characters)

 

3.      Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.

 

4.      Write the scene using the output and creative elements to build the tension.

 

5.      Write the release

 

6.      Write the kicker
An author can and should also have developed creative elements in a novel.  School is a development novel that is it is a novel about the training and education of Sorcha and Deirdre as well as others.  The training, education, and studies made by the characters are developed creative elements in the plot.  For example, in School Luna is educating Deirdre and Sorcha in fencing and shooting.  They are also going to learn about the fae, magic, and intelligence.  In my novels, magic is not a positive thing.  Luna is training Deirdre and Sorcha in special subjects and skills.  One of the questions you might ask is just what is Luna training Deirdre and Sorcha to do.  Luna claims she is finishing Deirdre and following Deirdre’s mother’s instructions.  This may be true—it’s hard to tell.   

 

In development novels, the major characters and specifically, the protagonist, build skills that lead to the telic flaw resolution and therefore the climax.  The progression of the characters in their skills drives the plot and provides creative elements for scene development.  For example, if characters are learning to shoot (a creative element), a shooting competition is the perfect creative element to progress the entertainment in a scene.  Further, imagine the additional creative elements you can introduce into future or existing scenes.  For example, a shooting competition can include girls or boys or both.  Both is a great creative element for producing romance and competition.  Girls only is a creative element for producing friends or rivals.  Creative elements begat creative elements.  The author should take advantage of these opportunities to build and develop creative elements in the plot.

 

 

 

More tomorrow.

For more information, you can visit my author site http://www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com/
http://www.aegyptnovel.com/
http://www.centurionnovel.com
http://www.thesecondmission.com/
http://www.theendofhonor.com/
http://www.thefoxshonor.com
http://www.aseasonofhonor.com

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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About L.D. Alford

L. D. Alford is a novelist whose writing explores with originality those cultures and societies we think we already know. His writing distinctively develops the connections between present events and history—he combines them with threads of reality that bring the past alive. L. D. Alford is familiar with technology and cultures—he is widely traveled and earned a B.S. in Chemistry from Pacific Lutheran University, an M.S. in Mechanical Engineering from Boston University, a Ph.D. in Aerospace Engineering from The University of Dayton, and is a graduate of Air War College, Air Command and Staff College, and the USAF Test Pilot School. L. D. Alford is an author who combines intimate scientific and cultural knowledge into fiction worlds that breathe reality. He is the author of three historical fiction novels: Centurion, Aegypt, and The Second Mission, and three science fiction novels: The End of Honor, The Fox’s Honor, and A Season of Honor.
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