11 October 2018, Writing – part x558, Developing Skills, Marketing Materials, Short Form, Sentence Synopses
Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment. I’ll keep you informed, but I need a new publisher. More information can be found atwww.ancientlight.com. Check out my novels–I think you’ll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning withhttp://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I’ll keep you informed along the way.
The four plus one basic rules I employ when writing:
- Don’t confuse your readers.
- Entertain your readers.
- Ground your readers in the writing.
- Don’t show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
- Immerse yourself in the world of your writing.
These are the steps I use to write a novel including the five discrete parts of a novel:
- Design the initial scene
- Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)
- Research as required
- Develop the initial setting
- Develop the characters
- Identify the telic flaw (internal and external)
- Write the initial scene (identify the output: implied setting, implied characters, implied action movement)
- Write the next scene(s) to the climax (rising action)
- Write the climax scene
- Write the falling action scene(s)
- Write the dénouement scene
I finished writing my 29th novel, working title, Detective, potential titleBlue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue Rose: Enchantment and the Detective.
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30thnovel, working title Red Sonja. I finished my 29th novel, working titleDetective. I’m planning to start on number 31, working title Shifter.
How to begin a novel. Number one thought, we need an entertaining idea. I usually encapsulate such an idea with a theme statement. Since I’m writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.
For novel 31: TBD
Here is the scene development outline:
- Scene input (comes from the previous scene output or is an initial scene)
- Write the scene setting (place, time, stuff, and characters)
- Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
- Write the scene using the output and creative elements to build the tension.
- Write the release
- Write the kicker
Today: Time again to look at marketing materials. I just finished a new novel—actually, I finished it a few weeks ago, but I’ve been working on the marketing materials. I always develop the specific materials first, then the condensed materials for my currently defunct publisher, and then the cover. You can see above, I made a proposed cover. I haven’t put any of this information on the internet yet, but I’m building up to that.
Here is my proposed cover:
Marketing materials are a must. I’ll be straight up with you. I know most people have not completed their novels. Some of you might have. You might be still working on your editing and proofing. You might be still perfecting your novel. All of that is important, but none of it matters if you don’t have a plan for marketing your work. Marketing means you have some plan and know what a publisher might want to know about you and your work. I gave you a format with examples from my own novel. I showed you the “long form.” If there is a long form, there must be a short form. That’s what I will give you next. Here is the short form for my novelBlue Rose: Enchantment and the Detective.
Title of Work:
Blue Rose: Enchantment and the Detective
Type: Either Screenplay or Book
Length: Either # of words for books, or # of pages for screenplays
Keywords and Market Focus:
Fiction, detective, supernatural, fae, fairy, romance, intelligence, Britain, United Kingdom, MI6, magic, New Scotland Yard, goddess, Dagda, organization, the Crown; will fascinate anyone interested in mystery, detectives, and the fae—will appeal particularly to those who enjoy mystery and suspense novels.
Can you describe your novel in a sentence? Or perhaps the question should be, can you get the basic gist of your novel into a sentence? More importantly, can you get a reader excited about your novel with a sentence? I’ll give you three tries.
Actually, I expect you to be able to give me a valid expression of your novel with each of three sentences. I also expect for you to make me interested enough to read your novel. If you can’t do this, I suspect you can’t write a novel either, but I know you can do this—I’ll help guide you through writing them. Here are examples from my novel, Azure, below.
- No more than 3 sentences about the content of your manuscript.
The Lady Azure Rose Wishart applies to New Scotland Yard as a supernatural detective—she has to explain exactly what a supernatural detective can do, but that’s just part of the details.
The Lady Azure Rose Wishart finds her match in the puppy love of Lachlann Calloway—she doesn’t need any kind of love especially from a boyfriend, but now she’s stuck with one.
The Lord Chancellor of the Book of the Fae wishes to regain her estate, become a supernatural detective, and make her mark on the aristocracy—pretty cheeky for a sixth form head girl.
Here we go. Start with the protagonist. My protagonist is Lady Azure Rose Wishart. The first sentence above gives her what I think is an interesting and exciting introduction. I could have written: the Lady Azure Rose Wishart is a British head girl. If I wrote that, I’m sure I might excite someone, but that isn’t really interesting or exciting. On the other hand, the Lady Azure Rose Wishart applies to New Scotland Yard as a supernatural detective should get most people’s blood pumping. The obvious first question is, what is a supernatural detective, or maybe, what does a supernatural detective investigate? Plus, you might ask how she applies to be one, plus what is a Lady doing as a supernatural detective at all?
The bit about the supernatural detective is part of the telic flaw, so I put in the protagonist and the main exposition of the telic flaw. I don’t know about you, but I’m interested already. I like books about the supernatural, detectives, and British ladies.
Further, we have a double hyphen. This is also called an em dash. Do I need to tell you that the semicolon is dead in fiction literature? You don’t use semicolons anymore to put together two independent clauses without a conjunction, you use a double hyphen (em dash).
Following the em dash is an independent clause (a complete sentence) put together with the conjunctive punctuation. The following sentence doesn’t answer any questions, it accentuates the natural question that comes out of the first statement, what does a supernatural detective do. This is a setup to provide an exciting rehash of the previous statement.
I put out the first implied question, and I answer it with more direct implied question. The direct implication is that the novel will answer this question, what is a supernatural detective?
I intend for the reader to ask just this question and want to know the answer. Notice, I never asked any question at all—I placed a seed of a question in the mind of the reader.
This is the basic method for developing this kind of mini-synopsis. Introduce your exciting protagonist, throw in their telic flaw, and leave the reader with the impression that they need to read your novel to understand something important that they don’t currently know.
I’ll get to the next tomorrow.
- One sentence about successful works similar to yours.
Blue Rose: Enchantment and the Detective is a novel along the lines of Sherlock Holmes, except it’s about a woman, and her Watson is a smart young Wing Commander.
- No more than 2 sentences about yourself. (use 3rdperson)
- D. Alford is a novelist whose writing uniquely explores the connections between present events and history—he combines them with threads of reality that bring the past alive.
Dr. Alford is a scientist and widely traveled author who combines intimate scientific and cultural knowledge into fiction worlds that breathe reality.
- No more than 2 sentences that include “other,” i.e. any reasons, relationships, or other factors that might make your work more attractive.
Blue Rose: Enchantment and the Detective continues the supernatural themes introduced in L.D. Alford’s Enchantment and Ancient Light novels. It is a standalone novel.
Blue Rose: Enchantment and the Detective is exciting mystery fiction from the celebrated author of Deirdre: Enchantment and the School, Sorcha: Enchantment and the Curse, Essie: Enchantment and the Aor Si, Lilly: Enchantment and the Computer, Valeska: Enchantment and the Vampire, Khione: Enchantment and the Fox, Dana-ana: Enchantment of the Maiden, Hestia: Enchantment of the Hearth, Aksinya: Enchantment and the Daemon, Antebellum, Centurion, Aegypt, The End of Honor, The Fox’s Honor, A Season of Honor, Sister of Light, and Sister of Darkness.
In this introduction to the short form information, we are building short pieces to describe you and your work. The use of this information is similar to the use of the long form. The short form is specifically getting the author used to writing a tight, exciting, and interesting blurbs about their own writing.
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic