26 February 2019, Writing – part x696, Writing a Novel, Fleshing Out an Idea
Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment. I’ll keep you informed, but I need a new publisher. More information can be found atwww.ancientlight.com. Check out my novels–I think you’ll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning withhttp://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I’ll keep you informed along the way.
The four plus one basic rules I employ when writing:
- Don’t confuse your readers.
- Entertain your readers.
- Ground your readers in the writing.
- Don’t show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
- Immerse yourself in the world of your writing.
These are the steps I use to write a novel including the five discrete parts of a novel:
- Design the initial scene
- Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)
- Research as required
- Develop the initial setting
- Develop the characters
- Identify the telic flaw (internal and external)
- Write the initial scene (identify the output: implied setting, implied characters, implied action movement)
- Write the next scene(s) to the climax (rising action)
- Write the climax scene
- Write the falling action scene(s)
- Write the dénouement scene
I finished writing my 29th novel, working title, Detective, potential titleBlue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue Rose: Enchantment and the Detective.
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30thnovel, working title Red Sonja. I finished my 29th novel, working titleDetective. I’m planning to start on number 31, working title Shifter.
How to begin a novel. Number one thought, we need an entertaining idea. I usually encapsulate such an idea with a theme statement. Since I’m writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.
For novel 31: TBD
Here is the scene development outline:
- Scene input (comes from the previous scene output or is an initial scene)
- Write the scene setting (place, time, stuff, and characters)
- Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
- Write the scene using the output and creative elements to build the tension.
- Write the release
- Write the kicker
Today: Why don’t we go back to the basics and just writing a novel? I can tell you what I do, and show you how I go about putting a novel together. We can start with developing an idea then move into the details of the writing.
I’ll eventually give you the initial scene for this new novel. The initial scene, sets the novel in time and place, it introduces the protagonist, and it introduces the telic flaw. Flat out, the telic flaw of this new novel is the mental and physical maturity of Sorcha and Deirdre. Using the terms from the novel and from an earlier time, the telic flaw is their finishing.
The finishing of Sorcha and Deirdre are more complex and more exciting than you might imagine, but this is the telic flaw of the novel. If you notice, the telic flaw is also a characteristic of Sorcha and Deirdre. Sorcha and Deirdre must be finished to reconcile the novel.
The reason this is more complex than it appears is because the purpose for Sorcha and Deirdre to go to France was to train to become aviation cadets at Cranwell in Britain. Sorcha and Deirdre were being trained in intelligence and military skills. In the previous novel about them, they got caught up in an intelligence and terroristic situation which caused them to be expelled and their identities to be revealed to the nation. The correction for this problem was that they were sent to France for training as aviation cadets. Unfortunately, their mentor is being deployed, and they must go to finishing school in France.
The reason they can’t go to Cranwell is that they are physically and mentally not ready for that level of education. Thus finishing school. There is much more to this than I’ve described, yet. This all comes from the protagonist and the characters. I mentioned the initial scene, the telic flaw, and the basis for the novel. The next point of the idea is the characters or specifically, the protagonist, the protagonist’s helper, and the antagonist.
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic