15 June 2019, Writing – part x805, Writing a Novel, Changing World and Ideas
Announcement: Delay, my new novels can be seen on the internet, but my primary publisher has gone out of business—they couldn’t succeed in the past business and publishing environment. I’ll keep you informed, but I need a new publisher. More information can be found atwww.ancientlight.com. Check out my novels–I think you’ll really enjoy them.
Introduction: I wrote the novel Aksinya: Enchantment and the Daemon. This was my 21st novel and through this blog, I gave you the entire novel in installments that included commentary on the writing. In the commentary, in addition to other general information on writing, I explained, how the novel was constructed, the metaphors and symbols in it, the writing techniques and tricks I used, and the way I built the scenes. You can look back through this blog and read the entire novel beginning withhttp://www.pilotlion.blogspot.com/2010/10/new-novel-part-3-girl-and-demon.html.
I’m using this novel as an example of how I produce, market, and eventually (we hope) get a novel published. I’ll keep you informed along the way.
The four plus one basic rules I employ when writing:
- Don’t confuse your readers.
- Entertain your readers.
- Ground your readers in the writing.
- Don’t show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
- Immerse yourself in the world of your writing.
These are the steps I use to write a novel including the five discrete parts of a novel:
- Design the initial scene
- Develop a theme statement (initial setting, protagonist, protagonist’s helper or antagonist, action statement)
- Research as required
- Develop the initial setting
- Develop the characters
- Identify the telic flaw (internal and external)
- Write the initial scene (identify the output: implied setting, implied characters, implied action movement)
- Write the next scene(s) to the climax (rising action)
- Write the climax scene
- Write the falling action scene(s)
- Write the dénouement scene
I finished writing my 29th novel, working title, Detective, potential titleBlue Rose: Enchantment and the Detective. The theme statement is: Lady Azure Rose Wishart, the Chancellor of the Fae, supernatural detective, and all around dangerous girl, finds love, solves cases, breaks heads, and plays golf.
Here is the cover proposal for Blue Rose: Enchantment and the Detective.
The most important scene in any novel is the initial scene, but eventually, you have to move to the rising action. I am continuing to write on my 30thnovel, working title Red Sonja. I finished my 29th novel, working titleDetective. I’m planning to start on number 31, working title Shifter.
How to begin a novel. Number one thought, we need an entertaining idea. I usually encapsulate such an idea with a theme statement. Since I’m writing a new novel, we need a new theme statement. Here is an initial cut.
For novel 30: Red Sonja, a Soviet spy, infiltrates the X-plane programs at Edwards AFB as a test pilot’s administrative clerk, learns about freedom, and is redeemed.
For novel 31: Deirdre and Sorcha are redirected to French finishing school where they discover difficult mysteries, people, and events.
Here is the scene development outline:
- Scene input (comes from the previous scene output or is an initial scene)
- Write the scene setting (place, time, stuff, and characters)
- Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
- Write the scene using the output and creative elements to build the tension.
- Write the release
- Write the kicker
Today: Why don’t we go back to the basics and just writing a novel? I can tell you what I do, and show you how I go about putting a novel together. We can start with developing an idea then move into the details of the writing.
To start a novel, I picture an initial scene. I may start from a protagonist or just launch into mental development of an initial scene. I get the idea for an initial scene from all kinds of sources. To help get the creative juices flowing, let’s look at the initial scene.
- Meeting between the protagonist and the antagonist or the protagonist’s helper
- Action point in the plot
- Buildup to an exciting scene
- Indirect introduction of the protagonist
The protagonist is the novel and the initial scene. If you look at the four basic types of initial scenes, you see the reflection of the protagonist in each one. If you noticed my examples yesterday, I expressed the scene idea, but none were completely independent of the protagonist. Indeed, in most cases, I get an idea with a protagonist. The protagonist is incomplete, but a sketch to begin with. You can start with a protagonist, but in my opinion, as we see above, the protagonist is never completely independent from the initial scene. As the ideas above imply, we can start with the characters, specifically the protagonist, antagonist or protagonist’s helper, and develop an initial scene.
Let’s look at a subject that is really ignored in the modern era. I’m not certain how much this can help your current writing. I would argue that theoretically, this subject can really help those who write historical and futuristic fiction. It depends on how your write your historical and futuristic fiction. There are two ways to write historical fiction—let’s look at this.
The first and most common way to write historical fiction is to write a novel that projects modern ideas and history as historical ideas and history. In other words to present modern ideas and historical ideas as the same. I think this is perhaps the most egregious and perverse means of presenting a false view of history. The author is either completely ignorant of the past, is intentionally attempting to education people in a false view of history, or both. The real historical world is very different both culturally and socially from our current world. The true author attempts to convey this in historical writing.
The second and less common means of historical writing is to actually incorporate the past into a novel to convey the actual way people thought and acted in the past. This approach actually goes back into time to give a complete view of the way the people thought and acted. To this end, let’s look at how the world changed and how people thought in the past. This is more of a historical look at the world for the purpose of understanding how the world worked in the past and how people thought and acted. We’ll use historical information to see what concerned affected their lives. Here is a list of potential issues. We’ll look at them in detail:
- Social construction
- Common knowledge
- Common sense
- Reflected culture
- Reflected history
- Reflected society
Ideas in human cultures and societies have changed remarkably through human history. In fact, if you didn’t know, humans in different cultures do not think about the world in similar ways. If you don’t know this, you haven’t traveled enough. A common modern idea is that people are people no matter where they live or come from, but this is completely untrue. I’m not sure how to get you to understand this or how to represent this in an understandable manner. Perhaps it is best for you to observe these cultures directly. If you are perceptive, you can see these differences in your own society. The obvious should be evident to you.
In your own culture, you will note not just groups but many individuals who based on their origins and upbringing eat different diets, celebrate different holidays, or the same holidays in different ways, have different accents, speak using a different vocabulary, have different goals or desires in their families, have different means of expressing love or friendship and all. If people are this different on the outside, how different are their actual viewpoints and ways of thinking?
Oriental cultures do not see the world or experience the world in the same way we do. In those cultures, you may not notice the enormous differences unless you carefully observe them. They won’t tell you. That is one of the characteristics of an oriental culture. They intentionally downplay the differences to get along. Each oriental culture is different in this regard, but also similar. It is a question of degree and expression, but that isn’t the only difference. Simple physical touching is considered aggressive and unacceptable in most oriental cultures. There is much more to this.
My point is simply this. If we are observant, we will see how differently people think about common subjects like food, drink, ethics, morals, interaction, and holidays. This should indicate to the cogent person that the differences go much further than these outside observations. Ideas in the human condition are similar and much greater. If you asked yourself, how does this person think about love, family, marriage, work, entertainment, friendship, and all? These ideas vary greatly between people from a similar culture. They may and usually vary much greater from culture to culture. However, most cultures have somewhat similar views on these issues. Different cultures don’t have similar ideas, and that’s the point.
We need to understand something about the cultures we intend to write about. This means generationally, socially, culturally, historically, and all. For example, I’ve represented indigenous American people in my novels. I have studied historically and specifically primary source documents to understand the view of these people in my novels. I am not writing about their problems or complaints necessarily, but I want to represent their character and views in my writing. If I have written well what I studied, I would expect a person from that culture to like and accept my cultural drawing. This is true of all the cultures and people I express in my writing. I approach each as an individual with individual thoughts and ideas developed from their culture and society. In this way, I don’t produce stereotypes, but I present characters who are uniquely and obviously representative of their people and cultures. As I noted ideas change with time—let’s look at some.
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